In Of Poetry and Protest Quraysh Ali Lansana's poem "statement on the killing of patrick dorismond" stuck out to me for many reasons. First, before even reading it I noticed it was in all lower case including the title. I also noticed the lines are very uniform, balanced, structured meticulously in the shape of a box, rectangle. Second I had to look up who patrick dorismond is and learned that he was a black man shot and killed by an undercover cop in New York City in 2000. He is also the younger brother of a reggae artist named Bigga Haitian.
Quraysh breaks down (for the lack of the correct term) in parenthesis what the euphemisms are suggesting. I thought this was a clever style because it forces the reader to immediately take on a double consciousness that I think is often assumed by people of color automatically. From what I understand about double consciousness and I believe it's a term coined by W.E.B. Dubois, regarding how people of color are forced to see themselves in two social perspectives, who they are in their communities, and who they are in the Anglo dominant narrative.
Naturally I tried to break down the euphemisms without looking at the words offered in parenthesis and I didn't quite get the same effect the poem creates by adding the words for me. When I think of hoodlum for instance my stereotyping brain wouldn't assume a cop or pig, which is interesting because the dictionary definition is "a person who engages in crime and violence." I think this poem ultimately begs the reader to think critically about who is the actual "bad guy" in this case. This reverses the stereotypes we commonly see in mainstream media around Black bodies being inherently violent, or drug dealers. The poem also uses historic verbiage like "junglebunny" or "coon" to explore contemporary racially charged state sanctioned violence.
I think similarly the poem called on continuing to struggle for Mumia Abu Jamal by Devorah Major offers a second viewpoint of the "who". I also noticed the poem was in all lower case including the title, which is something I'm not entirely sure the reason for other than aesthetically, however I'm sure there's something more to it. Actually, I'm thinking of the stereotype of Black people being "loud" which is often a way to oppress people and silence their experience. And the reason I bring that up here is that the lower casing of the words feels like the exact opposite of being loud, where I'd expect to see ALL CAPS or "!" to read shouting or "loud" expression.
I really like how Devorah's poem (to me) represents "the struggle" of being Black in white America however the poem itself, line by line, is a struggle. Grappling with what it doesn't want to be, what the poet won't make it about, it courses through it's own resistance finding empowerment in it's very purpose and finally riding on hope built up by it's own strength.
Your analysis is so specific, your close reading of Lansanah's and Major's poems... thank you for pointing out the lower case titles. Thant was something that I didn't even notice. I thought that Major's use of italics was very poignant in addition to Lansana's use of parenthesis. Your post has inspired me to look into specific typographic conventions chosen by authors.
ReplyDeleteI enjoyed your analysis and really connected with your thoughts while trying to break the poem down. I am pretty curious about the way in which a poem is presented (form) and wondered what you thought about the way in which the lines were organized and the overall look of the poem. I am of the opinion that it says something about the poem itself and its message. I am curious if you feel this is the case with this one.
ReplyDeleteAngela,
DeleteI do feel like it's intentional, because I'm learning that every detail of a poem has a purpose, from punctuation, to choosing italics, bold, caps or lowercase letters. I also bet if I had the chance to hear the poet read their own piece, especially in the case of the two I talked about above they would convey a very intentional emotion and maybe the lowercase pattern has something do to with that. Maybe it's for the reader to directed to read it monotone? or quietly, or some other way I'm not quite tapping into here.
DD, this is great because you are interrogating form and how it affects the content life and the emotional life of the poems and how the narratives are delivered. I appreciate that you did look at the technical choices as well as the linguistic ones. The references to double consciousness is appropriate and makes me think of Spike Lee's Bamboozled.
ReplyDeletee